Death by Piano on First Spin on Amazing Radio for Newer Light

 https://amazingradio.us/firstspin

Exit Key - new single by GreyWolf (Death by Piano)

 https://open.spotify.com/album/2j9cMH0q7fVD9BW5jMxstx?si=jkhe_fvERGqp3mrOg7VV5w

Honey Sucker - new single by Kalen (Death by Piano)

https://open.spotify.com/album/0yXaKNeH4tAMuj2MmgRXDV?si=IvRYM4rbTdCvYybQ3OBXfg

 

Add Your Voice! US Election around the corner - Johnny Butler & Peter M. Shane. Listen up!

 https://www.theconstitutionsong.org/constitution-song?wix-vod-video-id=ccf2ca247a514dd18cf4a3fe88d8eb6d&wix-vod-comp-id=comp-kdf11axh

Trevor Watts & Jamie Harris at the Sensory Festival 20/20 - superb live performance

 https://www.youtube.com/watch?v=_57DSXZuUvU&feature=youtu.be

This excellent document from a tour of Brazil is also still available at hi4headrecords.com

Great review of The Lockdown Solos by Trevor Watts at J-M van Schouwberg's blog

 https://orynx-improvandsounds.blogspot.com/2020/08/maggie-nicols-john-russell-mia-zabelka.html?fbclid=IwAR2fYpHSZb1lRo4u_BNyC_GPcCT4Z4sBAxXeeORczMyBW6kjXq3QDoVtonA

Rodeo Mag review of Emergency by Death by Piano

 https://therodeomag.com/2020/06/19/the-round-up-19-06-20/

Big thanks to the Yorkshire Times - Emergency by Death by Piano single of the week!

 https://yorkshiretimes.co.uk/article/Singles-Of-The-Week-19-June-2020

Crossings by Veryan Weston now available on Spotify

 https://open.spotify.com/album/2UfYGa1tF86ViWpbemCfhv?si=U-AV1w3pSmO0Y1pub8tubg

Trevor Watts Hi4Head releases on Bandcamp

 https://trevorwatts.bandcamp.com/

Death by Piano Emergency press - big thanks Tinnitist!

 https://tinnitist.com/2020/06/17/indie-roundup-27-numbers-to-take-wednesday-up-a-notch/

Talking About Our Generation - fine YouTube series. latest here.

https://www.youtube.com/watch?v=DrcLpyBaanI

Review of Veryan Weston's Crossings in New York City Jazz Record August 2020

While his (Mark Sanders') wonderful trio with bassist John Edwards and pianist Veryan Weston is not represented, per se, two of the albums do allow audition of his work in that illustrious company,  though  the  ever-adventurous Weston is at a  keystation  on Crossings. The nine pieces offer up a bewildering but sometimes whimsical array of influence,  none  more so than on “Extinction”. Dig that opening bass groove Weston is laying down,  redolent  of nothing so much as Stevie Wonder’s “Superstition”, with Sanders only too willing to join in the fun. The funky groove just begins to sizzle when cellist Hannah Marshall intones the words of William Butler Yeats: “Had I the heavens’ embroidered cloths…”  Her  cello-doubled melody inhabits a space

outside but conjoined to everything else, a modal area of “light and half-light” placing Sanders and Weston’s sure-fire brick-and-mortar foundation in stark relief. It is a stunningly effective study in time and contrast, mirrored in an even subtler fashion on the aptly titled “Kalimba Setting”.  Who’s got the melody anyway, Weston’s “kalimba” or Marshall’s wonderful pizzicato? Maybe, it’s actually given to Sanders’ hi-hat, which we hear transforming,  almost without  awareness,  from exquisite echo and foil to rhythmic pillar.